Tuesday, 22 June 2021

Juan Esquivel de Barahona (c. 1560- c. 1623): Missarum liber primus (Complete Edition)

We are proud to release the complete edition of the Missarum liber primus by Juan Esquivel de Barahona (c. 1560- c. 1623).

Published in 1608, the Missarum liber primus contains the antiphon Asperges me, three Masses based on motets by Francisco Guerrero (Ave virgo sanctissima, Ductus est Jesus and Gloriose confessor Domini), the six-voice Missa Batalla (with the final Agnus Dei for twelve voices!) on the famous chanson La guerre by Clement Janequin (which also serves as a subtle homage to Francisco Guerrero as he also published a mass on that chanson, the Missa de la batalla escoutez), one hexachord Mass for eight voices (the Missa Ut re mi fa sol la) and a five-voice Missa pro defunctis (Requiem) with the final six-voice motet In paradisum.

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Juan Esquivel de Barahona (c. 1560-c. 1623)

Missarum liber primus (1608)

Asperges me

SATB

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Missa Ave virgo sanctissima

SSATB

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Missa Batalla

SSAATB

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Missa Ut re mi fa sol la

SSSAATTB

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Missa Ductus est Jesus

SATB

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Missa Gloriose confessor Domini

SATB

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Missa pro defunctis

SSATB

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© 2021 Jorge Martín


Thursday, 10 June 2021

Sebastián de Vivanco (c. 1551-1622): Surge Petre (SAATB) (2021 Edition)

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© 2021 Jorge Martín

Monday, 7 June 2021

Sebastián de Vivanco (c. 1551-1622): Missa Doctor bonus (SATB) (2021 Edition)

A Mass based on the homonym motet by the composer himself. The Agnus Dei is another tour de force typical of Vivanco, scored for eight voices with a double canon and an ostinato.

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© 2021 Jorge Martín

Friday, 28 May 2021

Sebastián de Vivanco (c. 1551-1622): Spiritus Sanctus replevit (SATB) (2021 Edition)

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© 2021 Jorge Martín


Sebastián de Vivanco (c. 1551-1622): Surrexit pastor bonus (SSATB) (2021 Edition)

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© 2021 Jorge Martín

Tuesday, 18 May 2021

Ludwig Daser (c. 1525-1589): Missa Pater noster (SATBB)

A masterpiece by Daser and a homage to the Pater noster/Ave Maria by Josquin. The Credo is scored for six voices and combines both plainchants simultaneously.

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© 2021 Jorge Martín



Monday, 17 May 2021

Who can be against us? Lodovico Agostini (1534-1590): Eleva Domine (SSATTB) [Canones et echo sex vocibus, 1572]

Nº 5 of Canones et echo sex vocibus, 1572. This is the second motet in Canones et echo sex vocibus that celebrates the victory in the Battle of Lepanto in 1571 (Victoria in bello navali, quo selym classis omnis funditus periit)

This time the Cantus 2 sings an ostinato with the words Si Deus pro nobis, quis contra nos? (If God is with us, who can be against us?)

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© 2021 Jorge Martín

Wednesday, 12 May 2021

Sebastián de Vivanco (c. 1551-1622): Missa Super octo tonos (SATB) (2021 Edition)

One of the most extraordinary masses by Vivanco, based on the eight plainchant tones. The Hosanna is the true climax of the work (not the Agnus Dei as usual, which is scored for five voices), an astonishing tour de force with a double canon scored for eight voices.

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© 2021 Jorge Martín


Friday, 30 April 2021

Nicolas Gombert (c. 1495-c. 1560): Missa Quam pulchra es (SAATBB)

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© 2021 Jorge Martín


Monday, 26 April 2021

Alonso Lobo (1555-1617): Missa Beata Dei genitrix (SSAATB) [Liber primus missarum, 1602]

The first Mass in the Liber primus missarum (Madrid, 1602), based on the homonym six-voice motet by Francisco Guerrero. 

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© 2021 Jorge Martín


Friday, 16 April 2021

Lodovico Agostini (1534-1590): Dum clamaremus ad Dominum (SSATTB) [Canones et echo sex vocibus, 1572]

Nº 4 of Canones et echo sex vocibus, 1572. This motet celebrates the victory in the Battle of Lepanto in 1571 (Victoria in bello navali, quo selym classis omnis funditus periit). The Cantus 2 sings the cantus firmus Deposuit potentes et exaltabit humiles

You can buy or download this score hereRemember, you can buy or download our scores for the price you want!

© 2021 Jorge Martín