A Mass on the famous motet by Francisco Guerrero (1528-1599).
You can buy or download this score here. Remember, you can buy our scores for the price you want to support Ars Subtilior Editions!
A Mass on the famous motet by Francisco Guerrero (1528-1599).
You can buy or download this score here. Remember, you can buy our scores for the price you want to support Ars Subtilior Editions!
The first Mass of Missarum liber cum antiphonis (Lisbon, 1636) by the Portuguese Renaissance composer Filipe de Magalhães (c. 1571-1652).
You can buy or download this score here. Remember, you can buy our scores for the price you want to support Ars Subtilior Editions!
© 2021 Jorge Martín
The first Mass of the Missae sex (Antwerp, 1604) by the Spanish composer Pedro Rimonte (Zaragoza, 1565-1627). The final Agnus Dei adds two extra voices with a double canon.
You can buy or download this score here. Remember, you can buy our scores for the price you want to support Ars Subtilior Editions!
© 2021 Jorge Martín
You can buy or download this score here. Remember, you can buy our scores for the price you want to support Ars Subtilior Editions!
© Jorge Martín
You can buy or download this score here. Remember, you can buy our scores for the price you want to support Ars Subtilior Editions!
© 2021 Jorge Martín
You can buy or download this score here. Remember, you can buy our scores for the price you want to support Ars Subtilior Editions!
© 2021 Jorge Martín
We are proud to release our first edition from our series dedicated to the so-called Golden Age of Portuguese Renaissance Music.
The six-voice Missa Miserere mihi Domine by Manuel Cardoso (1566-1650), included in his first printed book of Masses (Missae quaternis, quinis, et sex vocibus. Liber primus, Lisbon, 1625), is a Mass with a Cantus firmus (a very old-fashioned style in 1625) that is usually placed on the Superius I, but also on the Altus, Tenor and even the Bassus in the Christe.
The Agnus Dei ends with an enigmatic and virtuosistic canon typical of Cardoso. The indication Tenor II in dyapason, Altus in dyatesaron bis dicens Cantum Gregorianum is given to us, placed in the Superius I, which means that while the Tenor II sings strictly the same melody of the Superius I at the octave lower, the Altus has to sing only the Breves at the fourth, which together form exactly the melody of the Cantus firmus Miserere mihi Domine.
You can buy or download this score here. Remember, you can buy our scores for the price you want to support Ars Subtilior Editions!
MIDI (Agnus Dei)
© 2021 Jorge Martín
A wonderful six voice-motet by Pierre Certon (c. 1515-1572) that combines the melodies of Pater noster with the Cantus firmus of the Ave Maria in the Quintus and Sextus (Altus 1 and Tenor 2, with a canon at the fourth).
You can buy or download this score here. Remember, you can buy or download our scores for the price you want!
You can buy or download this score here. Remember, you can buy or download our scores for the price you want!
© 2021 Jorge Martín
You can buy or download this score here. Remember, you can buy or download our scores for the price you want!
© 2021 Jorge Martín