I am proud to share my complete edition of the Requiem by the Spanish composer Sebastián de Vivanco (c. 1551-1622).
The Requiem has been reconstructed with two manuscript sources that were copied long after Vivanco's death: E-GU 3 (copied in the last third of 17th century) in the Real Monasterio de Santa Maria in Guadalupe and E-SAc LP 5 in Salamanca Cathedral (copied in 1725). Some parts can be found in two sources (Regem cui omnia or Parce mihi, Domine), but some are exclusive in one source: the four-voice Missa pro defunctis in Salamanca has no Benedictus or Agnus Dei, while the Kyrie and the Sanctus differ from the Guadalupe version.
This is a complete edition that includes three lessons from the Officium defunctorum, the Requiem Mass (with the unica parts in both sources) and the three motets for four, five and six voices: De profundis, Circumdederunt me and Versa est in luctum.
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Sebastián
de Vivanco (c. 1551-1622)
Requiem
Officium
defunctorum, Missa pro defunctis & Motets (4vv-6vv)
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Regem cui omnia vivunt |
SATB |
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Parce mihi Domine |
SATB |
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Manus tuae |
SATB |
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Missa pro defunctis |
SATB |
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De profundis |
SATB |
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Circumdederunt me |
SSATB |
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Versa est in luctum |
SSATTB |
